 Be Good to Your ReaderChoosing suspects for your mystery novel begins when you flesh out your story idea in the planning stages. As you create your character bible adding suspects to your mystery novel you aim for a balance between enough characters to challenge your sleuth and your reader and too few suspects. If your mystery has only two or three suspects your reader won’t feel challenged. You will be challenged creating material to flesh out a novel of 65,000 to 85,000 words. If you have ten or more suspects you’ll confuse your reader. They’ll find it hard to keep all the suspects clear in their head. Which one was George? Was he the tailor or the neighbor? When was he introduced? Whenever you stop a reader in your story you run the risk of them being unsatisfied or putting down your book and not returning. For an average length mystery (65,000 to 80,000 words) choose between five and eight suspects. Introduce Your SuspectsIntroduce each suspects so your reader has a clear idea of their identity and their context in the story. Each character forms an impression with your reader so they recognize that character as they appear throughout the story.
You won’t go wrong by starting with the context for each suspect and then working out the details. You can always change red hair to blond, or change a character's name. The context helps your reader understand that suspect’s role in the story. Zara Altair Photo by Hannah Lim on Unsplash
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 Why Tension? Isn’t A Mystery a Puzzle?A mystery is a story. A good story of any genre needs tension. Tension is what keeps readers reading. Without tension your story can feel episodic with no push for the reader to continue. What is tension in a story? It’s the state of being stretched tight. In a story, tension applies to a character’s mental and emotional state. In order for readers to feel tension, they must care about the character. When a reader empathizes with the character and the character is confronted with an obstacle, the reader feels the tension. Escalate the TensionYou create the story by writing scene by scene. Each scene has some type of tension. Build story suspense by increasing the difficulty of the challenges to your protagonist, the sleuth. Planning your mystery helps with ever-increasing difficult challenges. Start with small ones and build to the final confrontation. How To Build Tension in Your Mystery Use a variety of techniques to keep your reader reading by challenging your sleuth in many ways. Don’t forget that the mental and emotional state of your sleuth are the keys to getting your reader involved.
Vary your use of tension-building devices. A conflict similar to the one your hero faced before lessens the tension. Think conflict variety. Aim to escalate the the conflict as you build tension. Otherwise, your mystery will feel episodic with one sequence following another but without raising the stakes. Pace Your Moments of TensionIn a mystery, the major tension is solving the puzzle of who killed the victim(s). Each additional moment of tension holds reader interest. Pace your tension building moments at major story points. Escalate the stakes along the way. Keep your revelation to the end of the mystery, so your reader guesses along with your sleuth. You’ll keep your puzzle agreement with your mystery reader and maintain their involvement by telling a great story filled with conflict. Zara Altair Photo by Norbert Tóth on Unsplash  How To Start the First Chapter of Your MysteryWriting a mystery is a long run to the finish. Your first chapter brings the reader into the world of the story and introduces your sleuth. As a writer, you are in for a marathon of writing. You’ll introduce suspects, plant clues and red herrings and misdirect your sleuth and your reader. When a reader starts your mystery, they feel they have an unspoken agreement with you to give them a good puzzle and an intriguing and sympathetic sleuth. Your job in the first chapter is to bring the reader into your story. Basic Elements of The First Chapter of a MysteryYou define the course of the story in the opening sequences. This is your story’s first impression. The beginning starts the reader on a course to the conclusion and you want to plant the first seeds so they can grow as the story progresses.
An opening line should have a distinctive voice, a point of view, a rudimentary plot and some hint of characterization. Jacob M. Appel
Your first requirement is to bring the reader into the story. Introduce the world, your sleuth and add a conflict that challenges your sleuth. First Chapter MistakesKeep your first chapter lean and stay with the story. First-time novelists often tell too much in the first chapter. You have an entire novel to add details. Avoid these beginner mistakes to keep focused on your story moving forward.
Keep your first chapter focus on the story and you will avoid these mistakes. Focus on the StoryYour best guideline is your story. If you’ve done your planning, you know who is in the first chapter, what actions occur, and what the (minor) conflict is. You have an entire novel to spread out with details, narrative description, and backstory. The first chapter is your reader’s first impression of your mystery. Make a good first impression and then work hard to keep them reading. Zara Altair  Get Past The Stuck PlaceSometimes your story seems to throw up a big wall and you don’t know how to fix it. You’re stuck. It happens to all writers. Don’t despair. With all the character development and story planning you’ve done, your story seems stuck and you don’t know where to go next or what to write. Take action to root out the problem so you can continue writing if you know what to do. The first thing to do is not consider your story a failure, or worse, that you as a writer are a failure. It’s only a process glitch. Tips to Revive The Story ThreadApproach your stop point depending on the root cause. Use these tips to kick your story forward.
The tips are aimed at helping you identify why you are stalled with the story. The resolution to getting unstuck is often in the story structure or in your cast of characters. Positive Moves Get ResultsTaking action is the quickest way to get past your story impediment. Positive motivation to make the story the best it can be will get your story moving. And, a positive outlook that this is just an obstacle for you the writer to overcome kicks you out of negative thinking. Every writer has moments when the story doesn’t feel right. Remember that writing a mystery novel is a process. When you work to get past a stuck place, you improve the process. Find your “man with a gun in his hand” and keep writing. Zara Altair Photo by Lava Lavanda on Unsplash  Stay In The FlowTo maximize your writing time, follow two guidelines for writing your mystery. Go into the story. Stay in the flow. When you go into the story, you visualize the scene - who is there, what they say and do, and the surroundings. Your work is to translate what you visualize into words. A focus on writing keeps you in the flow. Any distractions that stop the flow slow you down. Each writer writes at their own pace. You can write faster whatever your pace by avoiding roadblocks that stop your writing. Preparation gives you the background - characters, story world, setting. The more you know the faster you will write. 8 Tips to Keep Writing When you are ready to write your story, set up your writing space with few distractions. Stay focused on writing. Distractions come in many forms, so to avoid a break in your flow, keep your writing time distraction-free.
You may discover your own personal writing blockers. Recognize them and keep writing. Train Your BrainCommit to your writing time. The biggest obstacle to blocking your writing flow is you. Your mind will come up with reasons to stop writing. I’ll just take this one phone call or answer this one email. Ignore those temptations. When you honor your writing time, you strengthen your commitment. And, the more you write, the better you’ll feel about the rewards of progressing toward the end of your mystery. Some writers create the first draft on paper. They perform their first edit and catch up on those research questions as they enter it on the computer. Others, write in the morning and edit in the afternoon or evening. Others, edit what they wrote the day before to get into the story to continue with their writing time for the day. Some do a shortcut to this by ending mid-sentence and picking up at that point in the next writing session. Experiment with different methods to find the one that works for you. Each writing session gets you closer to finishing your mystery. The better the flow, the sooner you get to The End. Zara Altair  Build Your Story Around the Main Events |
Zara Altair, Author The puzzle of politics, the mystery of murder in ancient Italy. After Rome, before the Middle Ages, Italy belonged to the Ostrogoths. Archives
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